Prospero has controlled Miranda's education and intellectual development and shielded her from care and worry. The The Tempest quotes below are all either spoken by Sebastian or refer to Sebastian. The Character of Prospero in Shakespeare's The Tempest 1323 Words | 6 Pages. This threat, used by Caliban in the plot to kill Prospero, he uses language that he can only have learnt from Prospero, who taught him language. His use of the word “rough” also recalls the fact that his obsession with magic contributed to his political downfall and eventual exile on the island. In other words, Ariel's compassionate spirit is the catalyst for Prospero's change. As Prospero tells us, he is the product of the witch Sycorax's hook-up with the devil and Caliban was "littered" (a word usually used to describe animals being born, like kittens) on the island after Sycorax was booted out of her home in Algiers (1.2). Prospero's Transformation in "The Tempest" "The Tempest" is a film whose primary theme is transformation. Prospero calls him a tortoise, a poisonous slave and a hag-seed (Act 1 Scene 2). In Act IV, Prospero admits that he has been testing Ferdinand’s love for Miranda since they first met in Act I. In Act 1, Scene 2, Prospero calls to Ariel, "Come away… Alonso bears some responsibility for the events in Prospero's life, because Antonio would not have acted without Alonso's agreement. On the one hand, Gonzalo did them wrong by sending them out to sea. Prospero uses magic to control Caliban, who's a threat to Miranda and who has already tried to molest her. Enjoy eNotes ad-free and cancel anytime. The web of illusions he has woven (or “knit”) is working according to plan, and at this point Prospero at last feels fully in control. Continuing his story to Miranda in Act I, Prospero describes how Gonzalo helped the two of them escape Milan. . In Act I, Prospero tells Miranda about the events that brought them to the island. The particular language Prospero uses to describe the pain he might inflict on Caliban also indicates a lively—if also violent—imagination. Log in here. Yet Prospero seems less invested in whether Miranda’s love for Ferdinand is true. Introducing Ariel. This list only contains words that we still use today. Just after Caliban has cursed him and his daughter in Act I, Prospero issues this threat to his insubordinate servant. In calling magic “rough,” Prospero admits that his magic has been at once crude and violent. In other words, he uses Miranda as a pawn, betrothing her to Ferdinand as part of a larger plan to resolve his own conflict and restore himself to power. This violence could reflect negatively on Prospero's abuse, or on Caliban who uses the language to 'curse'. Although Prospero’s admission does not justify Antonio’s betrayal of his brother, the confession does indicate partial culpability on Prospero’s part. Importantly, these lines also reflect on the illusory nature of theatrical performance, and indeed of life itself. In William Shakespeare's The Tempest, Ariel states, "Hell is empty, and all the devils are here." Our summaries and analyses are written by experts, and your questions are answered by real teachers. On one hand, this is true. Already a member? Educators go through a rigorous application process, and every answer they submit is reviewed by our in-house editorial team. Prospero's Role in 'The Tempest' Despite Prospero's shortcomings as a man, he is pivotal to the narrative of "The Tempest." When he resolves to break his staff and drown his book, he promises to give up the thing that has caused him much pain and suffering. Prospero is the master and Ariel is the servant. Start your 48-hour free trial to unlock this answer and thousands more. In act 1, scene 2 of Shakespeare's The Tempest, Prospero assures his daughter, Miranda, that "I have done nothing but in care of thee" (1.2.19). The play tells the story of a man named Prospero's exile on a deserted island. These lines follow Prospero’s long list of his accomplishments in the magic arts. The name "Caliban" may have come from the word “cannibal.” When picturing the storm in "The Tempest," Shakespeare may have been influenced by 1610 document “A True Declaration of the Estate of the Colonie in Virginia,” which describes the adventures of some sailors who had returned from the Americas.