Get the manual . There is much less drum bleed than any of the other mics." What is the V7? The rejection is amazing. For low frequencies, the real part is close to the absolute value. The V7 is a rugged dynamic microphone fit for any voice or instrument. His voice was just bigger and more forward, without doing any EQ or compression. Frequency response including phase shift. The first time I heard the mic, it sounded as though the singer was using a large diaphragm condenser. We were first introduced to the sE V7 at NAMM 2017 and it is finally a part of our inventory. Is my shure sm58 fake or real? V7 MC1 + V7 MC2 USER QUOTES “We took a listen, did a comparison, and that was an awesome thing. Just a little more airy and clear sounding, where the SM is a little more stout sounding with a bit of sheen. When you buy products through links across our site, we may earn an affiliate commission. Subtle stuff but I'd rather have these than all SM57s or whatever, I like the variety. The V7 has a very similar frequency response to the SM57/SM58. Sensitivity: 2.0 mV/Pa (-54 dB) Connectivity: Compatible with Sennheiser® wireless systems. The V7 has a very similar frequency response to the SM57/SM58. A brilliant, reliable sound with a high build quality makes this mic suitable for rigorous touring schedules and any type of performance. In the vicinity of the natural frequency, the imaginary part is dominant instead. "The sE V7 MC1 capsule is, without a doubt, the most transparent microphone capsule in our inventory right now. Diameter: 54 mm (2.13 in.) I can clearly hear the mic’s response down to 30 Hz, and proximity effect is less pronounced from 400 Hz down. His voice was just bigger and more forward, without doing any EQ or compression. The V7 is sE Electronics first dynamic microphone (along with the V3) and sE's first handheld since the H-1 cardioid condenser (manufactured 2009-13). Weight: 116 g / 4.08 oz. sE Electronics V7 (left) and V3. It requires about 5 dB more gain than the sE V7 for the same output level but has half the output impedance. The V3 has a cardioid response with an on-axis frequency response of 50Hz to 16kHz, which is pretty healthy for this type of microphone. The V7 Chrome is a chrome-plated version of our best-selling V7, a dynamic vocal hand-held microphone with a supercardioid polar pattern.It delivers a crisp, open sound that perfectly captures your voice and … sE say that the V7 has an 'innovative, specialized aluminium voice coil.' The SE mics have no transformer by the way. It feels solid enough to last a lifetime. Electrical Impedance: 300 Ohms. Ramp-up is very smooth and forgiving, which makes the V7 an easy mic to “work” — as long as the singer stays on axis. There is much less drum bleed than any of the other mics." Ramp-up is very smooth and forgiving, which makes the V7 an easy mic to “work” — as long as the singer stays on axis. Its presence peak is nice and broad, which avoids adding nasal-sounding coloration while still delivering a reasonably airy sound that cuts through. "The sE V7 MC1 capsule is, without a doubt, the most transparent microphone capsule in our inventory right now. The sE V3 and V7 are both hand-held, moving-coil vocal mics powered by neodymium magnets. Today we’re going to focus on two new microphones from sE Electronics which, in fact, mark the entrance of this company into the sector of transducers for live sound and music. The SE mics have no transformer by the way. sE say that the V7 has an 'innovative, specialized aluminium voice coil.' The V7 Chrome is built to perform - and built to last. x Length: 87 mm (3.43 in.) The sE Electronics V7 Dynamic Supercardioid Microphone features a frequency range of 40Hz-19kHz with a neodymium magnet. its overall frequency response. (Photos Included). V7 and V3 are two dynamic microphones designed and built for on-stage applications and, more generally speaking, for all types of live events, as well as for use in regular studios. Frequency range: 40 Hz - 19 kHz. The rejection is amazing. On the other end of the spectrum, the V7 has greater low-frequency extension. The upper frequency range is smooth & balanced, capturing every nuance of the player, while the lowered resonance and extended, powerful low frequency response allows for a complete spectrum of instruments: 4x12 guitar cabs, toms, snares, horns, rotary organs, or any other instrument all come …