However, the length of the mic makes it awkward to install above the snare, and it is almost impossible to aim the rear null towards the hi-hats. The polar pattern seemed fairly tight and well controlled across most of the frequency range — a good result for a mic at this price — and that should allow use as a coincident or spaced stereo pair, perhaps above drums or on pianos. Why Are Some A-B Stereo Arrays Angled Outwards? The battery compartment is clearly marked for correct orientation, and a curved plastic clip holds the battery securely in place when the mic body is screwed back on. The Shure SM57, the Sennheiser MD421 and the Neumann KM184 would be the top three on my list — but the Rode M3 could become another: it is that impressive. No body-switch markings. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Australian company Rode have a more-bang-for-the-buck reputation of turning out quality microphones at affordable prices. The polar response is a tidy end-fire fixed-cardioid pattern, and the mic is intended for general-purpose applications, both on stage and in the studio, where its wide bandwidth and flexible powering options make it supremely versatile. Battery and phantom powering. It sounds clean, crisp, full-bodied and smooth, and can cope with pretty much anything a project studio is likely to require, from vocals to percussion to acoustic guitars to Marshall guitar amps. I am no expert when it comes to recording, or playing live, but this microphone is perfect for my needs. The M3 feels robust, and the supplied stand adaptor looks unbreakable. Hi all, I'm gonna be recording an album shortly in my "on a shoestring" home studio, and need to get a mic for vocals. With the 20dB pad switched in I had no problems with overload distortion when mounted right above the snare, and the sound was full-bodied with plenty of snare crack and detail. This is an impressively flat and extended response, especially compared with AKG's C1000S (probably the closest comparable mic), or any similarly-priced moving coil (dynamic) microphone. It's a case of horses for courses, and the M3 is exceptionally good for the price, easily matching or exceeding the specs and performance of its nearest competitors. It is substantially flat between 100Hz and 4kHz, above which there are a couple of mild 2dB peaks before a smooth high-end roll-off to -3dB at 20kHz. However, I wouldn't recommend using M3s for distant stereo miking, as I think the self-noise and low output would result in a relatively noisy recording. I have used SM58's before but with my … Struggles to cut through on stage vocals. On acoustic instruments the M3 works very well indeed, turning in nice results on acoustic guitars and clarinet, both tracks needing almost nothing in the way of EQ at the mixing stage, which I took as a good sign. Session Notes: Magician's Nephew | Big Drum Sound. Switchable HPF and pads. In fact, the bottom position switches the mic off if you are using the internal battery option, and mutes the mic's output if it is being phantom-powered. Anyone knows of a comprehensive guide for Midas M32r Li... 24 hr Omnisphere pack deal + FabFilter, Best Service, R... Extended frequency response with smooth extremes. This switch introduces a pad between the capsule and impedance converter, offering 0, 10, or 20dB of attenuation, which means that the mic can be used very close to very loud sources. Hidden away just above the battery compartment inside the mic is another three-position slide switch. The most obvious contender, especially given the dual powering facility, is the AKG C1000S. I couldn't test battery life as such, but I inserted a partly used PP3 and it was still going happily after being left on for the best part of a week. And it would certainly be an ideal first microphone for anyone setting up a new project studio on a tight budget, but with the need to record a wide range of sources in reasonable quality. The specifications claim more than 200 hours of use with an alkaline battery, which would equate to roughly six months of gigging twice a week. These are useful facilities, but it is madness not to have any markings at all. The mic weighs 390g and the body is painted in a non-reflective satin grey finish, with the top 35mm being a heavy-gauge wire mesh over foam to protect the capsule. In fact, the response seems smoother than the Rode NT5 through the presence region, and only slightly less full at the bottom end. Neither offer the recording flexibility of the M3 but would be better on stage vocals. The mic measures 225mm long (nearly nine inches) and is 33mm in diameter (just over an inch), which is longer than most, although slightly shorter than the NT3. Re: The All-New Behringer Keyboards 'n' Stuff Thread, The All-New Behringer Keyboards 'n' Stuff Thread. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. As mentioned above, the most obvious equivalent is the AKG C1000S, compared with which the Rode M3 has a smoother, wider bandwidth, greater headroom, near-identical noise and sensitivity, and similarly flexible powering arrangements (although, to be fair, the AKG mic will accept phantom power down to 12V). I ran the mic on phantom, from an installed battery, and with phantom when the battery was installed... and it worked perfectly on each occasion. The M3 should be able to cope with close vocals, electric instrument amps, and even drum and overhead duties, without cracking up. First Look: Pro Tools | Carbon. The maximum SPL is given as 142dB for one percent distortion (5dB better than the AKG mic). The lower half of the mic body can be unscrewed to access the internal battery compartment, and doing so also reveals the strength of the metal body. There are several established 'jack of all trades' microphones around that will always get the job done in a workmanlike manner. Gentle presence peak for subtle air. Fortunately, my drummer had a good aim, but I'm sure the mic would survive close encounters of the sticky kind, given the chunky metal construction. All rights reserved. It can also work surprisingly well as a close drum mic, even on the snare. I've used this for vocals, and acoustic instruments - especially guitar - at church, playing out at gigs, and in my home studio. The bad news is that you can't adjust it with your fingers — you'll need a small screwdriver or pen. Mastering Essentials Part 3 - How loud should I master? Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Rode M3 £89. The first thing to strike you about the M3 is its length. pros. The RØDE M3 is a highly versatile 1/2' condenser microphone powered by 9V battery or phantom power. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The middle switch position selects the normal operating mode, while the top position introduces a second-order (12dB/octave) high-pass filter, turning over at 80Hz, to remove rumbles and handling noise or to help thin out a bass-heavy source.