JazzStandards.com - All Rights Reserved      By posting, you give JazzStandards.com permission to republish or otherwise distribute your comments in any format or other medium. The focal point, though, is an extended Coleman Hawkins tenor saxophone solo. Danielle_Fabian. Duke Ellington’s Orchestra introduced “Mood Indigo” at New York’s Cotton Club in 1930. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Mingus, an unabashed Ellington devotee, provides a great orchestration of “Mood Indigo” here. About. What better way to introduce the magic of Duke Ellington to your beginning players than with this very easy version of one of the Duke's most revered standards. Learn vocabulary, terms, and more with flashcards, games, and other study tools. I Dreamed a Dream (from “Les Misérables”). Your comments are welcome, including why you like Copyright 2005-2020 - Permission & contact solodalla1. Chart information used by permission from. In 1930 Bigard approached Duke with a composition that he claimed as his own. In 1975 the National Academy of Recording Arts and Sciences inducted Duke’s 1930 Brunswick recording into the Grammy Hall of Fame. View our privacy policy. For a short time Ellington had the great Creole clarinetist/soprano saxophonist Sidney Bechet in the band, until he left in 1925. History His 1940 recording (Ivie and Duke Vol. 74 Terms. Over the years, “Mood Indigo” was one of the tunes most closely associated with the early Ellington band, and Duke continued to play it together with “Black and Tan Fantasy” and “Creole Love Call,” calling the piece “a medley of our award-winning compositions.” And, indeed, “Mood Indigo” continued to win awards, even after Ellington’s death. Search From there the tune is passed alternately to the full ensemble, sax section, brass section, and finally back to the small group. Pianist, Mary Lou Williams was also a gifted: arranger-composer. With Louis and the Duke: The Biography of a Jazz Clarinetist, Jazz Round Midnight: Ellington/Strayhorn Songbook, American Songwriters: An H.W. (US) Their marvelous harmonies and synergistic jazz feeling, along with all-star accompaniments, make their renditions unique. Audio samples are below the video player. I changed some of it around...and got something together that mostly was my own but partly Tio’s.”, Truth was, however, that the tune was the theme song of Piron’s New Orleans Orchestra of which Tio was a member. The style of the original version is preserved with the opening small group statement (alto, tenor, 2 trumpets, and trombone). The Jimmie Lunceford Orchestra’s rendition reached #19 on the charts in 1934. Wilson Biographical Dictionary, The NPR Curious Listener's Guide to Popular Standards, Early Ellington: Complete Brunswick Recordings, The Chronological classics-Jimmie Lunceford and his orchestra 1930-1934, Ella Fitzgerald Sings the Duke Ellington Songbook, Ellington Meets Hawkins (Reis) (Rstr) (Dig), Prelude to a Kiss: The Duke Ellington Album, Duke Ellington’s first vocal version, recorded ten years after the tune’s instrumental premier in 1930, featured the silky voice of, This section suggests definitive or otherwise significant recordings that will help jazz students get acquainted with Learn Jazz Standards is a blog, podcast, and videos geared towards helping you become a better jazz musician. In 1954 the Norman Petty Trio’s instrumental version hit #14 in the pop charts. Part of it was recorded at the same time as his famous “Black Saint” session and includes a similar horn lineup as well as Jaki Byard on piano. | One genius tips his hat to another on this esoteric yet compelling interpretation of the song. JazzStandards.com reserves the right to edit or remove any comments at its sole discretion. In 1923 they made a special appearance in New York at the Roseland Ballroom, and their music caught not only the public’s fancy but that of the top record companies, and they recorded for Victor, Okeh, and Columbia Records. What better way to introduce the magic of Duke Ellington to your beginning players than with this very easy version of one of the Duke's most revered standards. The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". The rhythm section lays out a sauntering swing over which Monk elegantly creates. Hi, I'm Brent Vaartstra. © Copyright 2020 Hal Leonard - All rights reserved. Duke Ellington. Discovery Jazz. His original 1930 recording (Early Ellington: Complete Brunswick Recordings) is a stellar example of his early years and presents the song in a straightforward yet creative manner. information, Home | Learn Jazz and Skyrocket Your Improv Skills Without the Overwhelm . YOU MIGHT ALSO LIKE... Ch 5 jazz 29 Terms. Its title was “Dreamy Blues” (early recordings by Duke’s band show both “Mood Indigo” and “Dreamy Blues” as the title). All Rights Reserved His 1962 collaboration with Coleman Hawkins (Duke Ellington Meets Coleman Hawkins) features yet another orchestration as well as an extended solo, courtesy of Hawkins. A slow, bluesy rendition of the song (almost nine minutes in length) capitalizes on the fastidious precision of Russell Malone’s fret work and the laid-back funk riffs of Smith’s organ. Length: 12.0". To develop a good understanding of “Mood Indigo,” one need not look beyond Duke Ellington himself. Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. Given his orchestrational mastery, it should not be surprising that Ellington manages to make five horns sound so lush here.