However, too much can sap punch, power and clarity. A drum stick can be a lethal weapon to a delicate microphone. This is part of the sound of recorded drums, and it can help to create some cool tones as well as smoothen sharp transients. Although this may seem obvious, many beginner engineers tend to think miking drums or mixing is most important. Thank you for signing up to Musicradar. Closed Miking means you're putting a mic on each individual drum to mix each one. Keep the phase switch in this position to get the best sound on your instrument. Staying out of the drummers way can be difficult when recording with a large number of microphones. However, miking in this way anticipates that the snare drum will be the focal point of your drum recording, panned to the center in the mixing stage. If the wires on your snare drum aren’t making their presence felt strongly enough, white noise can be used to add a synthesised back-up layer. A short, dark ’verb on the kick, a longer, brighter one on the snare, etc. Instead trying using an impulse reverb, which is basically a sample of another rooms reverb, to give the sound that the drums were recorded in a higher quality space. However, I find that often times these home studio drum recordings fall short due to self taught engineers who have not yet learned some key aspects to properly miking and tracking drums. So, don’t expect your drums to sound amazing the first time you try miking them. This is an important part of pre-production and once again involves setting... 3. Just because you don’t have a large number of microphones doesn’t mean that you can’t accurately capture a drum set. A big mistake I used to make when first miking drums was to place overheads as high as possible. XY Stereo. (Computer Music) 17 August 2020, Mix your drums like a pro with these 9 tips. The result will be a bigger sounding room. The best way to do this with drums is to use the “3:1 Miking Rule”. Although we used a single bussed reverb in our walkthrough, there’s no reason not to … However, this is a common misconception with beginner engineers. As Glyn Johns mentioned in the video above, rarely does the drummer have space once drum mics are setup. If you’re like most engineers, then the XY technique is probably the first stereo miking … All rights reserved. Any condenser or ribbon mic is … I thought I would get a bigger room sound by having them as far away as possible. Centering overheads over the snare may seem strange at first as this drum is off center in the kit layout. This microphone setup was developed by Glyn Johns and used for his work with The Who, Led Zeppelin and The Rolling Stones. Draw in a single MIDI note for the duration of your drum track and insert a sidechainable gate plugin onto the synth’s mixer channel. be achieved. It’s important before recording that you have an accurate and realistic idea of how you want your drums to sound. This may mean sacrificing the perfect mic placement on a tom but will usually result in a better sound overall due to lowered phase cancellation. And like XY, it produces a … Try using multiple triggers on your kick, snare and toms then blend them in with the original for additional character. Keep the level of the fake ‘wires’ low in the mix, and be aware that it might need muting during fills. When first starting out a lot of people (myself included) have a hard time properly capturing a drum kit in a budget studio. The ring usually gets covered up by the other elements that are prevalent in the track. There was a problem. This set up is hard to understand when read so check out this awesome video of the master himself Glyn Johns miking drums using this method. On most music you listen to the snare drum has far more resonance than actually perceived in the final mix. I’m not one to break out a ruler and go measurement crazy when miking drums.